My first visit to Painshill was just over fifty years ago. I was a postgraduate student at the Slade School of Art, and apart from my sculptural specialism, I had become totally immersed in the study of the mid-18th-century landscape garden as a work of art. In the early 1970s Painshill was in a very neglected state. I referred to the photographs in Oswald Siren’s book, China and the Gardens of Europe (published 1950), taken in the 1940s, and to Country Life articles from 1958. Nature had entirely taken over. Using drawings by F. M. Piper made c.1779, which showed important vantage points, and a large-scale Ordnance Survey map to make sense of the layout, I began my trespassing tour from the A3, where the Gothic Tower still stood. I was encouraged to find the octagonal gothic building and the wooden Chinese-style bridge. The grotto still existed, though it had lost its roof to wartime vandalism during World War II. Looking back at my Kodachrome slides, I am surprised by how many garden features I was able to locate across two visits – until I was eventually persuaded to leave by an aggressive fisherman enjoying exclusive use of one of the most important 18th-century landscape gardens in the UK.
