The English Landscape Garden

One of Britain's greatest contributions to art and culture

Developed throughout the eighteenth century, the English Landscape Garden was a response to the formality of gardens past.

Origins of the English Landscape Garden

The English Landscape Garden developed throughout the eighteenth century and has been called our greatest contribution to art and culture. Like most things it was, in part, a reaction to what went before - the tightly structured, formal garden style of the seventeenth century, influenced heavily by Royal fashions in France and the Netherlands; but it also had an important political motivation.

Britain was experiencing a new sense of freedom following the Glorious Revolution of 1688 which limited Royal power and saw the rise of Parliament as an important force in political life. The Whig party were in the ascendency and they rejected the idea of authoritarian Royal rule which had been prevalent in Britain for centuries, in favour of liberty, although still only for men of wealth and privilege. 

Turning their back on the ultimate power of the monarchy in countries like France, as well as Britain’s own recent history, the Whigs searched for a different role model on which to base their new sense of identity, and found it in the classical republican world of ancient Rome, which they interpreted as a free political system untainted by royal or religious influence. Liberty was their watchword, and it found its way into everything, including our gardens.

Stourhead in Wiltshire, was one of the first examples of an English Landscape Garden, inspired by paintings like that of Claude Lorrain (see images below).

Formality Gave Way to More 'Natural' Gardens

The formal, rigidly structured gardens enclosed by high walls or hedges, with fussy, geometric beds laid out symmetrically either side of a central axis, in the French style, gradually gave way to something looser, more natural and outward looking.

Joseph Addison’s writings were an important early influence and he championed the use of native wild flowers, and a freer more natural approach to garden design. It is no coincidence that Addison, along with the majority of early proponents of the new natural style in gardens, was a prominent Whig, extending his ideas of political liberty, and the rejection of French autocracy, into garden design. One notable exception was the poet Alexander Pope – a Catholic and a Tory – whose garden at Twickenham contained early ideas of a looser, more natural style in the 1720s.

Important Figures of the English Landscape Garden Style

Lord Burlington, also a Whig, was an important patron of the arts and his protegee was William Kent, an extraordinarily gifted architect and designer who worked with Burlington on the building of Chiswick House in the 1720s and introduced the idea of looser planting, larger areas of grass and a more natural line for water in the garden there.

Kent went on to work at Stowe in the 1730s and 40s, and, building on the work of Charles Bridgman, and working closely with the owner, Lord Cobham, he created an innovative, new garden style with sinuous walks, natural looking water, large grass areas, numerous garden buildings and views out over the surrounding countryside.

The English Landscape Garden reached its zenith in the work of Capability Brown from the 1750s onwards, with his enormous parklands, huge ‘natural’ lakes, clumps of trees and sweeping vistas. Many still survive and appear almost indistinguishable from the surrounding countryside now, although completely artificial; but perhaps these landscapes still evoke in us a feeling of liberty and freedom from constraints which first inspired the English Landscape Movement.

The English Landscape Garden

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